Ash

My Five Bodyguards

Your five bodyguards agreed to keep things professional. Then all five asked to be your date to the same party. You are Tessa, a singer preparing your comeback concert. For the next twenty-one days, you will stay in the guest suites above a private music bar with the men hired to keep crowds away from your rehearsals. You expected duty rosters and early nights. You did not expect five handwritten invitations waiting at dinner. Bram, the disciplined team leader, remembers the tea you drink when your voice is tired. Lennox can turn a quiet drive into the kind of conversation you wish would never end. Ivo listens to your oldest song as if it belongs to a memory he has never explained. Tobin makes you laugh precisely when you are trying to act composed. Malik asks how you feel and stays long enough to hear the real answer. They can share a shift. Sharing your attention is proving much harder. Between shared playlists, private conversations before rehearsal, and invitations that sound less casual every day, one old photograph raises a question: which of these men knew you before the world did—and why did he never say so? The job gives them a reason to stand beside you. Love will require a different invitation. Five men have already written theirs. Whose would you like to open first?

My Two Exes Fell for Each Other

You are Nia, a 23-year-old event design student at Bellweather University. Your two ex-boyfriends secretly teamed up to win you back. Tonight, at the graduation party you organized, you find them holding each other like neither wants to let go. Leo, the swim captain you left last autumn, is in love with Noah, the singer you broke up with six weeks ago. You enter the bowling lounge's private lane to collect the showcase seating plan. Leo has his arms around Noah; Noah's forehead rests against his. Neither can pretend this is a friendly hug. They say their relationship began after your last breakup. But why did both men keep offering you dates until last week? Their romance is only the first secret. During your relationship with Noah, Leo helped him persuade you to turn down a summer residency abroad. You believed the offer would cost too much. Now a message suggests they knew accommodation was included. Graduation is ten days away. You need to run the showcase, find out whether the residency can still take you and stop your private life becoming the party's favorite joke. Your exes want a chance to explain, but their accounts do not match. You can demand honesty, set working boundaries and choose what place either man has in your future. Their new love does not erase what they owe you.

Our Dinner Is Speaking in Our Voices

You are Zephyrine Quarles, a 32-year-old food journalist invited to a private dinner. A portion on the plate calls your name before it is tasted, and your former reporting partner can no longer make a sound. Chef Kenelm Ravenscroft calls it a performance. Philomena Standish knows the invitation was not meant to be a show, while sommelier Lysander Tredwell notices that the dishes are answering before the guests can. Outside, staff accept the voices from the plates as proof of identity. A creature raised in the kitchen absorbs voices and takes over the people they belong to; the chef has already been replaced. Find the real survivors behind the kitchen doors, distinguish memory from imitation, and stop the banquet's delivery route before the city learns to trust the wrong voices.

I Trap Vecna Inside My Dream

You are Jocasta Evesham, a 30-year-old sleep researcher whose lucid-dream trap has caught Vecna. Missing adults begin waking in the hospital, but the trapped dream is connecting his hunting ground to the research ward. Hopper protects the rooms while Joyce tracks those still absent. Vecna offers conflicting directions to the final hostage, and keeping him contained may endanger the place you meant to protect.

Garrett Gives Me the Championship Rings

You are Theodosia Marchmont, a 35-year-old sports data analyst at a professional league championship celebration years after graduation. A sponsor accuses you of leaking tactics, and Garrett Graham places an open box of four championship rings within reach, crediting your work in the victory. John Logan finds a cut in the final’s footage. Dean Di Laurentis recognizes the person who filmed a private corridor encounter. John Tucker secures the exit so potential witnesses can leave safely rather than be separated by sponsor staff. Each player saw a different piece. The leak accusation conceals an attempt to control decisive moments in the competition. Their reputations may protect your right to speak, but a reconstruction of the hidden play can challenge the accusation on its merits. Restore the game, preserve an independent analysis team and decide what future professional or personal relationships you want with the four players.

My Husband’s Rival Is My Divorce Lawyer

You are Mechthild Keene, 35, an American independent hotel designer. Your husband brings his mistress to your anniversary dinner, certain you will stay; his rival is both your divorce lawyer and your secret lover. You are married to Albrecht and have decided to seek a divorce. Before tonight, you retained Wolfram and began a consensual secret romance with him. His professional conflict is a genuine issue requiring independent advice and likely reassignment; love does not excuse it. The announced relationship is fixed background, not a scripted player speech in the playable opening. The immediate relationship conflict opens a longer story about trust, public consequences and the work needed to regain control. Characters have different information and interests. Their explanations may be challenged; evidence and affection are separate. You decide which conversations to have, what assistance to accept, and what private or public future to build.

I Kissed the Priest at My Wedding

You are Heidrun Hale, 30, a British concert violinist. A kiss at your wedding has exposed your secret romance with the priest officiating it; the groom orders the church doors sealed. You and Friedhelm had a consensual secret adult relationship before the wedding. The title’s kiss is an established event immediately before play begins, not an instruction to narrate a new player action. Why you let the wedding reach this point can be explained by the player; do not invent a forced engagement, innocence claim or predetermined emotion. The immediate relationship conflict opens a longer story about trust, public consequences and the work needed to regain control. Characters have different information and interests. Their explanations may be challenged; evidence and affection are separate. You decide which conversations to have, what assistance to accept, and what private or public future to build.

Urahara Closes the Shop for Our Date

You are Edith Ormond, a 31-year-old spiritual-tool restorer arriving for Urahara's dinner invitation. He turns the shop's closing sign just as a ceramic instrument lights up and releases a second copy of a private wish he has spoken aloud. Byakuya, Renji, Aizen and Grimmjow arrive with different reasons to reopen the shop. One wants the recording stopped, one wants a distributed batch recovered, one offers a copied wish in exchange for trust, and one refuses to let his own words become a collectible. Urahara calls the device a harmless prototype. Its glow makes that explanation harder to accept: the room was never presented as a test space. It copies spoken expressions into replayable objects, not minds, bodies or proof of love. Leave, demand that he disconnect it, inspect the instrument on your terms, or help recall the copies already sent out. The door stays open. An honest invitation can follow only after the experiment stops borrowing consent from your presence.

Evil Dead Burn My Husband Came Home in Ashes

You are Alice,32, newly widowed after Will's death. You arrive at his family's secluded house carrying what you were told are his ashes. His mother Susan has laid a plate for him. Before anyone explains why, your dead husband knocks at the door and asks to be let in. You know the people around this table: Joseph, Will's younger brother, and his girlfriend Thya are the nearest thing you have to allies. Susan expects you to mourn the son she remembers, not the controlling man you married. His father Edgar keeps telling you to carry the urn down to the cellar. He will not explain why the metal feels warm. The house has begun speaking in familiar voices. Joseph admits he played a recording from an old family archive. Thya saw Edgar exchange the urns. Somewhere beneath the house is a weapon the Deadites fear, and the thing wearing Will's face wants you to destroy its protection before you find it. Choose whom to trust, keep the doors secured and uncover what is really in the bronze container. You can preserve allies, expose the family's lies and reach the hidden dagger through the service passage, but every delay gives the possessed another chance to divide the group. Surviving this house is your first task. Keeping its secrets from reaching another family is the next. An unofficial alternate story based on Evil Dead Burn. The urn mystery, protective ash and escape route are original fan-fiction inventions, not the movie's plot.

My Ex's Apology Grew Teeth

You are Ildiko Everett, a 29-year-old radio host facing your ex across a live studio microphone. His carefully polished apology has just produced something with teeth that is chewing through the recording of what he actually did. Isidor Yardley shared a private voicemail from your former relationship to discredit you during a professional dispute. Tonight's appearance was meant to address that harm, not purchase forgiveness. The more perfectly he recites his consultant's script, the more of the original recording disappears. Sound engineer Ivar Abbott can cut the live feed. PR adviser Ivo Beckett recognizes his own phrasing in the creature's movements. Producer Jacek Calder sees a viral event, while acoustics researcher Jakub Dalton sees a dangerous playback loop. Their interests overlap only long enough to keep the studio safe. You can stop the show, demand a plain account, protect surviving records, or leave the microphone to someone else. Ending the anomaly and forgiving your ex are separate choices.

Byakuya Wants the Last Dance

You are Fernanda Underwood, a 31-year-old ceremony coordinator overseeing a noble house's moonlit reception. Byakuya Kuchiki passes the arranged dance partner and offers his hand to you. Renji spots the betrothal lantern being raised. Urahara reaches for its mechanism. Aizen watches the families watching you, while Grimmjow keeps the garden exit clear. A simple invitation is about to be turned into a public claim you never made. Byakuya must explain what he intended before anyone treats a dance as your agreement to marriage. The old ritual gives witnesses a story to repeat; it does not give them the right to decide what you accepted. Refuse his hand, ask him to correct the room, dance under stated limits or leave the reception. The last dance can be yours to choose without becoming the last moment anyone asks for your consent.

My Boyfriend Hides Me While His Vice Captain Wants Me

You are Camila, a 23-year-old event management student. Your boyfriend has kept your seven-month relationship private, but his vice captain has just asked you to dinner in front of him. Luca calls you the event organizer when introductions begin. Ezra calls you by name and waits for your answer. You planned the fencing club's awards reception as a paid project. Luca said he would introduce you properly tonight. Instead he let a teammate describe him as single, then moved your place card away from the captains' table. He says the club needs to avoid gossip before elections. Ezra has noticed how often you end up outside the frame. His invitation is direct, and he does not know you are dating Luca. Once he finds out, his interest will need to become a respectful conversation rather than another contest between teammates. The reception is tonight and your final event report is due in a week. You need payment, accurate credit and an answer about why privacy became a rule you never helped set. Luca's election explanation has a missing detail; Ezra's rivalry with him has one too. You can refuse to be hidden without agreeing to be displayed as someone else's victory.

The Idol Calls Me Sis

You are Francesca Rinaldi, a 35-year-old stage stylist, and the adult idol Enzo Vannucci only wants you to adjust his performance outfit. He calls you Sis on camera, although you have no family relationship, and his playful dependence is becoming difficult to separate from the real thing. Security supervisor Cosimo Ferraro can keep a camera out of the dressing room. He cannot decide whether Enzo is flirting, hiding stage nerves, or doing both. A loose bracelet is an easy problem to fix; being someone's only safe place is more complicated. You can keep the work professional, ask what Enzo means when the cameras stop, or make room for a connection that does not depend on needing you. He has to learn that your attention is offered, not owed.

My Neighbor Died Years Ago

You are Denise Bellamy, a 30-year-old apartment resident whose helpful neighbor has been dead for three years. Tonight he brings a parcel containing a key to your bedroom, while his voice comes from inside your home. Cecil Ravenshaw has always waited outside the threshold when delivering your parcels. The corridor mirror never shows him. Building manager Gloria Parkes remembers the fire that killed him and recognizes the little brass key he should no longer possess. The man outside says he has never entered. Something inside is trying to make that distinction disappear. You can keep the door shut, ask Gloria to come upstairs, question Cecil about the parcel, or leave by a safe route while the building's past comes into view. The neighbor may be offering real protection, but you do not have to invite him in to find out.

Back to '95

You are Riley Morgan, thirty-four, the woman who built the future, and the boy who tormented you in high school took it apart and left you ruined in 2024. Now you wake nineteen again in October 1995, all thirty years burning in your skull, and Prescott Caldwell is only a hungry sophomore who has not yet become the monster who destroys you. This time you move first. Seattle tastes of rain and dark-roast coffee at the end of the analog age, Capitol Hill humming with record shops and diners, dot-com companies blinking awake in garages. You know which garage becomes an empire and which ticker crashes on which date, so you build a fortune so large you become untouchable while you stage Prez's downfall before he can imagine his own power, keeping a harmless peer's smile for a nemesis who does not know he is playing your game. The variable your memory never preserved is Dakota Steele, twenty-two: shaggy dark hair over storm-gray eyes, ink-stained fingers, owner of the record shop Static and Dust, frontman of a band playing half-empty clubs. He looks straight through your costume to something older in you, so uninterested in the future you are colonizing that he becomes your anchor to the present. You wake under a stained popcorn ceiling in a body too young and too unscarred to be yours, in flannel, the wall calendar hitting like a fist. Revenge is a blueprint you can draw in blue ink. A heart is not. You came back to destroy your past, not fall in love with it.

I Confessed My Crush and My Best Friend Kissed Him

You are Mira, a 24-year-old museum studies postgraduate. Yesterday you told your best friend Faye that you planned to ask Elliot out. Today, at the student exhibition reception, you turn a corner and find them finishing a kiss beside the display you spent all week building together. Elliot is single, and so is Faye. The betrayal is not that you owned a chance with him. It is that Faye listened to your plans, helped you choose this dress and never mentioned that she had already been messaging him for weeks. Elliot had no idea you liked him; he thought your recent invitations were about the exhibition. Now the three of you still have to host the closing reception in five days. Faye wants to explain why she hid her feelings, while Elliot wants to stop being treated as the prize in a friendship argument. You need to decide what honesty would look like before another shared shift turns into a silent punishment. Uncover the assumptions behind the kiss, rebuild or release an old friendship and discover whether the crush survives meeting the real person. The next chapter can include romance, but it also belongs to your work and your dignity. First, Faye has set down her drink and finally asked for the conversation she should have started yesterday.

The Lifeguard Insists on Teaching Me Himself

You are Elke Playfair, a 28-year-old British pool member. Two lifeguards want to teach your swimming lesson, and the usually reserved one has already stepped into the shallow water. Arvid Radcliffe remembers that your course starts with supported practice near the wall. Einar Redmayne arrives with the goggles whose fit you previously selected. Neither seems willing to leave the first lesson to the other. Their reasons are more personal than the timetable suggests. You can ask them to explain the lesson, choose an instructor, postpone, or keep every conversation professional. The pool stays safe regardless of your answer; any closer relationship begins with a separate invitation, never a rescue debt.

My Ex-Husband Gave His Roommate a Ring

You are Alessia Langley, a 29-year-old British woman collecting the last box of your belongings from your ex-husband's flat. Florian Lockwood is offering his male roommate a ring, and Guillaume Marchant has a packed suitcase by the door. Your marriage has ended. The unresolved question tonight belongs to them: does Florian want a life with Guillaume, or simply someone who will not leave an empty home? You can ask why the ring appeared now, make room for a brief conversation, collect your things, or leave. Their future does not require your approval, forgiveness or emotional labor.

After Our Swapped Date, He Won’t Leave

You are Clementine Redford, 28, and tonight's swapped date is over. Your friend's partner Gianluca is still downstairs with your coat, while your own partner Giacomo waits beside him. It was one evening with different company, not permission to change either relationship. Now an ordinary return of a forgotten coat has become a reason for Gianluca to linger. Maureen Rowley, your friend and his partner, is entitled to her own answers. You can take the coat without a conversation, ask him to leave, talk with Giacomo or discuss what the date meant to all four adults. A second invitation would need a new agreement. Attraction, loyalty and the future of either couple remain unsettled.

My Husband Sent Me on a Honeymoon with His Rival

Your husband arranged a honeymoon for you and his rival, then called it business hospitality. You are Isla Bennett,29, a British hospitality designer married to Rafael Holt. His company needs investment. Nathaniel Cross, who has pursued you before, has booked a honeymoon suite in an Azores resort and can prove Rafael accepted the deposit. Your agreement is missing from every document. The welcome lounge has separate room keys and a return booking available. You can refuse the trip's romantic terms, change the arrangements, take the next ferry, or stay long enough to expose the side deal. Rafael's jealousy begins when his rival offers an exit he cannot control. Neither money nor a booking decides who may share your room—or your future.